Showing posts with label Week 5. Show all posts
Showing posts with label Week 5. Show all posts

Wednesday, September 17, 2014

Week 5: Storytelling--The Creation of Garuda


"It all started with a leaf; odd, but there are few better ways to begin.  The Valakhilyas, miniature saints of great repute, wished only to aid in the creation of a sacrificial fire; and yet they were mocked by the prideful Indra when they could scarcely bear a single leaf.  Thus they lit that leaf afire and sang for a better Indra--if not for the interjections of Kashyapa, perhaps we would have another Indra.  Instead, the Valas granted Kashyapa with seeds which would bear his wives sons.  And so it was.”

"So Garuda was born from a seed?  A seed formed by miniature saints who could not bring a leaf to a sacrificial fire but could create from that same leaf a sacrificial fire with a purpose similar to that originally planned?  And then that seed was consumed by the wives of Kashyapa, who then had children?  Did I get that right?"

The elder man chuckled deeply, his grooved face crinkling even further as he smiled at his inquisitive young grandson.  "Yes, pota.  It is not so strange a tale, is it?  But there is much more. . .

"You see, Kashyapa's wife Vinata gave birth to only two eggs, while Kadru gave birth to a thousand.  And when Kadru's eggs hatched into Nagas--half-human, half-serpentine beings--Vinata became too impatient to wait for her own young to hatch.  And so she cracked the fragile shell of one of her eggs, only to find her son Aruna but partially formed.  Similarly to a serpent, he too lacked legs; but Aruna's most striking feature was his translucence--his entire form was diaphanous and supple.

"Aruna told his mother that she was to be patient and not disturb the sleep of her other son for another five hundred years, as she had disturbed him.  He then lithely launched himself into the sky, turning dawn's light a fiery red as it passed through his sheer flesh--"

"Hold on, Dadaji!  You want me to believe that the seeds from the fire from the leaf of the Valas when consumed by the wives of Kashyapa became eggs?  And that these eggs gave rise to Nagas?  Aren't they the guardians of treasure who live in a kingdom underground?  Why would the Valas create them instead of another version of Indra?"

"Well, you see--"

"And how could Aruna be alive if he wasn't supposed to be born for another five hundred years?  Wouldn't he just die?  Why couldn't Vinata just wait?  I can't believe that's why the dawn sky looks red!  So does that mean I have x-ray vision?  But I thought you were going to tell me about Garuda--I want to hear about the King of the Birds!!"

The old man laughed a second time.  He shook his head at the boy’s enthusiasm, and tried to begin again.  "If you would be patient, I will tell you of the magnificent Garuda; perhaps you could learn a lesson from Vinata if you listened.  Shall I continue, or will you interrupt me again?"

The boy shook his head quickly, his dark hair flopping about his face.  He mimed zipping his mouth shut, then gestured for his grandfather to continue.

"At Aruna's behest, Vinata did indeed wait another five hundred years, anxiously anticipating the birth of her second son.  In that time, however, Kadru--arrogant with her innumerable offspring--tricked Vinata into a bet.  Thus Vinata lost her freedom to Kadru and the Naga's cheating ways.

"It was into the midst of this drudgery that Garuda was born.  He emerged from his shell, only to be immediately saturated by sunshine.  His form amplified until he grew massive enough to block out the sun.  Garuda was a massive eagle; the feathers on his body gilded as if composed of gold, while his wings gleamed a brilliant red as if they were ablaze.  But where his head, wings, and talons resembled the figure of an eagle, Garuda also possessed a man’s arms and hands, and his torso was similar to a man's, yet covered with aurelian feathers."

"Woah!!  So does that mean that he was basically a person who could fly?  Can I have shiny red wings, Dadaji--can I fly?!  Why would the Valas create a version of Indra who was half-eagle, half-man?  And I thought that Garuda was the enemy of the Nagas and ate serpents--but his brother was practically a snake, and the Nagas were kind of like his brothers, too, weren't they?  So why would he eat them?  And does Garuda ever free his mom, or does he just leave her with Kadru?  And--"

A young woman clapped her hand over the mouth of the voluble boy, stifling laughter.  Helping her son stand, she smiled warmly at the seated elderly man.  "I hope he hasn't been too much trouble, Sasur.  He can't seem to get enough of your stories."

The man chortled, his grin lighting up his eyes as he looked over his energetic grandson.  "Your boy is curious about his religion and I am only too happy to share with him my knowledge.  Perhaps next time he will even manage to stay quiet enough to reach the end of a story."

Beaming brightly, the boy glanced up at his mother with excitement.  "Does this mean I can come over again tomorrow?  Please!!  I promise I'll listen better this time!  Oh, please, Amma, please!"


Looking over at her father-in-law, who nodded his head with a sly smile, the woman turned back to her son.  "Of course, putr.  Now thank Dadaji before we go."

The little boy ran over to his grandfather and hugged him goodbye.

"Tomorrow?" he whispered in his grandfather's ear.

His grandfather smiled and whispered his reply.  "Tomorrow."








Author's Note.  I enjoyed this story; it provided some missing background on this regal and courageous eagle who appears in The Ramayana.  But because it was so convoluted, it raised as many questions for me as it answered.  Therefore I wondered what a child would think when told this story; I mean, they always have numerous questions, so what would they ask if they heard this?  Probably not what I wrote, but I was never a little boy, so I did my best, haha.

Bibliography.  Buck, William (1976).  Ramayana: King Rama's Way.

Image Information.  Photograph of a single leaf.  Pixabay.    Sculpture of Garua by Hyougushi.  Photograph by Hideyuki KAMON.  Flickr.

Tuesday, September 16, 2014

Week 5: Reading Diary B--Deer and Monkeys and Bears, Oh My!

Once again I need to seriously shorten my posts...Let's get to it!

New thoughts on the whole golden deer situation:

I still feel bad for Maricha; the guy is smart and logical and reasonable and he gets dragged into it and killed anyway (albeit he accepts Death gracefully).  What justice in the world?

The description of the deer was breathtaking.  I probably would have begged for it/hunted it.   Granted I wouldn't have killed it, but semantics.

And Sita, always crossing the line.  Stupid, stupid, stupid!  Interesting how in this version, Ravana can directly pick up Sita, where in the last he could not.  Possible meanings of this difference?

Poor Jatayu, so close to triumph and rescue only to fail.  But I guess he might be happy that he died a warrior's death, as cliched and trite as that sentiment is.

And here we also see a version where Sita leaves a lovely trail of jewels, all catalogued quite nicely. . .


Onto Hanuman!  Woo wooo!! Haha.  But in all (but not really any) seriousness:

Gotta love Sita's spunk with Ravana; to Hell with him, indeed!  Interesting little side story with Indra. Now we know how Sita survived and why she wasn't attacked, though, so that's cool and such.

Deer are such tattletales.

Who knew Rama was a romantic?  That's right, everyone!  But a strong quote here:  "You have given away your life for me, and despite that my life herself has been taken from me. . ."  There's nothing better than great, passionate prose.

Another adorable elderly lady enters the scene.  Savari tells of the glorious white monkey, Hanuman, and rehashes the tale of Vali and Sugriva.  And poor little baby Hanuman!  Left all alone and hungry!  To think he may have been burned by the sun in thinking that it was a mango. . . Silly monkey, haha.  Moving on from deprecation (sort of), Hanuman sure was a flighty child--pun intended.

Dudhuvi is too headstrong and ridiculously aggressive.  Sorry, but he deserved what he got.  Meanwhile Sugriva gets the short end of the stick after committing no wrong--though he ends up acting badly and harshly and traitorously and stuff, so perhaps he deserved his punishment as well.

"Truly, a friend is protection against injury and a help for sorrow."  A kind sentiment, and partially true, but more an empty reassurance than anything.  Thank you, Lakshmana.

The fight between Vali and Sugriva is much abbreviated in this version.  The death still seems a little unfair, but isn't nearly as conflicting as in Narayan's version.  And Vali's last words are thoughtfully succinct and somehow more meaningful because of it.  Woo conciseness!

"'Surely that is wrong, to part two people in love'. . .'As wrong as war'. . ."  My punctuation there is surely wrong as well, but it's an interesting quote.  We favor individualism so much that such a separation of two individual lovers seems as terrible as two or more nations sacrificing thousands for some cause; true or false, and right or wrong?


Now to begin the search:

Rain, rain, go away.  Come again another day!

Oh, Sugriva, drinking your life away--how impressive.  Drunk for over three months?  Is that even possible?!

Various animals go in various directions to search for Sita.  Most definitely (or at least most likely) some symbolism here, but I don't know/care enough to see it.

Turns out my vision of the underground kingdom was slightly off; eh, what are you gonna do?  But this was a much more satisfactory depiction, so thumbs up to Buck once again!  And the whole concept and character of Maya truly fascinates me.  Therefore that story was automatically awesome.

We end with a monkey telling a bear a story.  Totally normal. . .

Monday, September 15, 2014

Week 5: Reading Diary A--Trembling Sunshine and Thirteen Plus Years of Banishment

We resume with our story, entering the Ayodhya palace and hearing whispered tales of Dasaratha's ill health in the wake of Rama's departure. . .

I love the description of the sunbeams speaking with Dasaratha and trembling upon finding him cold to the world.  Something about this depiction fascinated me; it is inherently ethereal and yet oddly simple and plain.

Horsemen race to tell Bharata and Satrughna the news of their father's death, and all I can think of is, "what is with the ubiquity of the number three?  I mean, are three horsemen really necessary to deliver a simple message?"  I am clearly unfeeling.

And then they don't even deliver the message of Dasaratha's death!  No--all they do is tell the frightened and distressed brothers that they must return to Ayodhya.  Like, what?!  Plus when they arrive in Ayodhya the silence and everything indicates that something is seriously wrong, and yet they have to wait anxiously to hear what has happened; and if they're anything like me, the anticipation makes the dread that much worse.

Another brief appearance by the mysterious (but ubiquitous) Time. . .

Poor, easily manipulated Kaikeyi.  Husband-less and hated by your own son for your actions which banished his beloved brother and thus killed his adored father.  (Warning: sarcasm in use!)  Excuse me for not pitying your plight.

Ooph!  Being called a whore by your own son as he calls "Mother" another woman.  I don't know what to think of Bharata here--I mean he is kind of justified, but that's harsh.  And then he turns around and asks why a kingdom needs a king. . . Seriously?  "Kingdoms" can't even be spelled without "king," let alone run without them!  (Side note: the dialogue on why a king is necessary perfectly describes this sentiment in a much more knowledgeable and vivid manner.  Kudos once again to Buck and his expressive and enthralling use of language!)

"But here I am...I'll burn the dead King in Rama's name."  I know this quote refers to proper ceremonial burial rites and all, but it is probably the most ominous and frightening line I have read yet in this class.  Remind me to never get on Bharata's bad side.  And thank goodness he decided to forgive Kaikeyi, or she would have had s*** for life (pardon my language) in the future.  I respect his decision here, but am still unsure of how I feel about Bharata's character. . .

What is with the random anecdote about Indra and Surabhi, the wishing-cow of heaven?  Now I know of a new Hindu deity--one who is extremely compassionate apparently--but to what purpose?

Still lovin' Guha, the little man.  He is a friendly, loyal, and somewhat enigmatic character who speaks the language of animals--what more could you want?!

A prime example of Buck's beautiful prose:  "Then as a smoldering tree already burned by forest fire will show only by night that it still burns, so Bharata sighed in the dark."  I'm sighing myself here, when presented with such emotive language!

Bharata (along with countless Kosalas) cross various lands and pass through many channels in order to speak with Rama and inform him of Dasaratha's death.  Long story short.

Next falls a pretty pastoral scene depicting Rama and Sita walking the woods together, quickly interrupted by a black crow attacking Sita while Rama sleeps.  Sita becomes jumpy, but I guess this is acceptable seeing as she was just attacked by a random forest animal. They arrive home sweet home.

Rama and Bharata explore their bromance.  This results in Bharata assuming a consular role during Rama's absence.  Ayodhya awaits Rama's return with silence and ignorance.  'Cause you can't learn when you're mourning, of course (?). . .

Our adventurous trio (Rama, Sita, and Lakshmana) encounter the old couple that is Atri and Anasuya when venturing to find a new home in the forest.  Here Sita claims her husband in no uncertain terms ("He is my man," she states).  This statement and Sita's beauty and charm earn her some serious bling from the older woman.  Why not?

Every three months or eight months or a year our trio would move.  Random, but apparently true.  But late in the fourteenth and last springtime. . . (Duh, duh, duhhhh!)

Thus we arrive at the book in which all of Rama and Sita's true trials and tribulations are to occur.  Here we go!

First we learn the rather clever and amusing tale of Agastya.  The Vindhya Hills had been jealous of the Himalya for its position in the center of the passage of the Sun and Moon.  And so Vindhya rose and blocked the skies.  But sneaky Agastya begged Vindhya to grant him passage and not rise again until his return to the north.  Thus the Vindhya Hills remain lower than the Himalya.

Agastya also took on two demon brothers named Vatapi and Ilwala, digesting Vatapi as mutton before his brother could call him out of Agastya's stomach.  Gross, but I guess judicious. . . (?)

Upon meeting Agastya, he gifts Rama a divine bow and gives one arrow each to Rama and Lakshmana.  Perhaps we will be illuminated on the roles of these specific infallible arrows later.

The foolhardy trio decide to venture into Dandaka, a land infested with Ravana's blood-drinking demons.  I mean, why not?  They still have a year of banishment to travel and such.  Why wouldn't they want to encounter danger and demons galore?

Two words:  Miniature. Saints.  Cool or creepy or a mix of both?  You decide!! (Though the image of them carrying a leaf is pretty freaking adorable.)

A rather insightful conversation about war and right and wrong ensues between Rama and Sita. I've got to say, this is one of the first instances in which Sita actually seems more intelligent than insipid.  And I'm kinda loving it.

The story of the Valas and the creation of the Nagas and the birth of Garuda was phenomenal!  Definitely a story I may retell in some way at a later date (hint, hint), so no more on that now. . .

The etiological myth for thunderbolts--is this an example of some kind of religio-cultural transition from a more ancient tradition to the more recent (at least at the time of the epic's transcription) Vedic tradition?  Questions, questions!  (Additionally, the etiological myth for snakes' split tongues!  Haha.)

Even with Sita standing alongside Rama and Lakshmana, she manages to be kidnapped.  It kind of makes you wonder how great our two princely "heroes" are as guards, lol.

Finally, we come to the arrival of Surpanakha, Ravana's sister (different spelling, same disgusting demoness).  Surpanaka tells Ravana; Ravana sends an army; Rama kills army; Ravana heads to the hermitage of his uncle Maricha.  And so we reach the fantastic story of the golden deer. . .

Until next time!!